XPad

XPad is a professional sound module app and Audio Unit v3 plugin with focus on modern pad sounds for iPad. Goal was to get the warm and vibrant sound of analogue synths onto the convenient platform of an iPad and combining those sounds with the benefits of state of the art digital features while still preserving that analogue tone and feeling.

Glissando

XPad introduces a new way that we were developing for our apps to achieve realistic large interval Glissando. You can glide a tone continuously e.g. from the lowest octave up to the highest octave and vice versa, in any desirable speed and without causing an artificial impression to the listener. We were also thinking about how to improve the usability aspects for playing Glissando in a much more intuitive & convenient way for a keyboard player, while still preserving the player's full control. Foremost this app allows you to mix Glissando with regular polyphonic notes (e.g. chords) simultaneously or switch between these playing styles quickly at any time without leaving your hands off the keyboard. For instance you might be playing and holding a chord with your right hand while playing a Glissando slide with your left hand and punching through the right hand's chord from an octave lower than the chord, up to some octave higher than the chord.

Tone Width

Replicating some analogue boutique pad synthesizers is nice, but what about having a huge stack of them? That's where "Tone Width" control comes into play.

Especially the important pad sounds of this app allow you to morph the sound with the "Tone Width" knob in real-time steplessly between a very thin and clean sound up to a huge and fat tonal sound as if an army of pad synths was working under your finger tips.

Sensible Control

Controls for the individual sound aspects is good. But it should be in a sensible way. Nothing is hard wired here. Every sound of this app presents controls that make sense for the individual sound. All controls presented are always fine tuned to the individual elements of that sound.

You can alter all controls remotely by MIDI e.g. with sliders at your keyboard. The most important controls for each sound are mapped to things that you are most likely using anyway at your keyboard. For instance all sounds use the Aftertouch information of your keyboard to bring more dynamic behaviour into the sound even while just holding so