A Stage in Time

A Stage in Time icon

ASO Keyword Dashboard

Tracking 3 keywords for A Stage in Time in Apple App Store

Developer: Arcade Ltd Category: education

A Stage in Time tracks 3 keywords (3 keywords rank; full coverage across the tracked set). Key metrics: 33% top-10 coverage, opportunity 72.0, difficulty 36.8, best rank 8.

Tracked keywords

3

3  ranked •  0  not ranking yet

Top 10 coverage

33%

Best rank 8 • Latest leader 121

Avg opportunity

72.0

Top keyword: stage

Avg difficulty

36.8

Lower scores indicate easier wins

Opportunity leaders

  • stage

    Opportunity: 73.0 • Difficulty: 39.5 • Rank 121

    Competitors: 97

    64.2
  • stages

    Opportunity: 72.0 • Difficulty: 36.7 • Rank 72

    Competitors: 55

    59.1
  • spectacular

    Opportunity: 71.0 • Difficulty: 34.2 • Rank 8

    Competitors: 50

    54.7

Unranked opportunities

Every tracked keyword currently has some ranking data.

High competition keywords

  • stage

    Total apps: 7,257 • Major competitors: 97

    Latest rank: 121 • Difficulty: 39.5

  • stages

    Total apps: 3,574 • Major competitors: 55

    Latest rank: 72 • Difficulty: 36.7

  • spectacular

    Total apps: 1,947 • Major competitors: 50

    Latest rank: 8 • Difficulty: 34.2

All tracked keywords

Includes opportunity, difficulty, rankings and competitor benchmarks

Major Competitors
spectacular711003455

1,947 competing apps

Median installs: 950

Avg rating: 4.0

88

50

major competitor apps

stages721003759

3,574 competing apps

Median installs: 750

Avg rating: 4.2

7272

55

major competitor apps

stage731004064

7,257 competing apps

Median installs: 600

Avg rating: 4.1

121106

97

major competitor apps

3 keywords
1 of 1

App Description

This app lets you to step into the scenery of one of the late 18th century’s most spectacular and suc-
cessful pantomimes.
Using three maquettes held by the Victoria & Albert Museum, the magic of augmented reality tech-
nology allows you to experience these sets at their true scale.
The pantomime Omai, or A Trip Around the World was written by John O’Keeffe, with its scenery
designed by Philip James de Loutherbourg, a Swiss artist who was the most innovative scenogra-
pher of his day. It premiered at Covent Garden Theatre (on the site of what is now the Royal Opera
House) in December 1785. Then, as now, pantomime was associated especially with Christmas.
As is suggested by the pantomime’s subtitle – A Trip Around the World – it sought to transport au-
diences to far-flung corners of the globe in a dizzyingly rapid-fire sequence of scenes. In the 18th
century, theatre offered audiences the pleasures of vicarious travel.
But this was also a period of empire, and the British stage was a powerful mechanism in creating
and sustaining the fantasy of British supremacy, racially and culturally.
The titular protagonist of Omai is based on a real person: Mai, a man from Ra'iatea in the South Pa-
cific. He was taken by Polynesia to London by Captain Cook in 1774. Once in Britain, Mai became
a celebrity and curiosity – an example of a ‘noble savage’.