A Stage in Time
ASO Keyword Dashboard
Tracking 3 keywords for A Stage in Time in Apple App Store
A Stage in Time tracks 3 keywords (3 keywords rank; full coverage across the tracked set). Key metrics: 33% top-10 coverage, opportunity 72.0, difficulty 36.8, best rank 8.
Tracked keywords
3
3 ranked • 0 not ranking yet
Top 10 coverage
33%
Best rank 8 • Latest leader 121
Avg opportunity
72.0
Top keyword: stage
Avg difficulty
36.8
Lower scores indicate easier wins
Opportunity leaders
- 64.2
stage
Opportunity: 73.0 • Difficulty: 39.5 • Rank 121
Competitors: 97
- 59.1
stages
Opportunity: 72.0 • Difficulty: 36.7 • Rank 72
Competitors: 55
- 54.7
spectacular
Opportunity: 71.0 • Difficulty: 34.2 • Rank 8
Competitors: 50
Unranked opportunities
Every tracked keyword currently has some ranking data.
High competition keywords
stage
Total apps: 7,257 • Major competitors: 97
Latest rank: 121 • Difficulty: 39.5
stages
Total apps: 3,574 • Major competitors: 55
Latest rank: 72 • Difficulty: 36.7
spectacular
Total apps: 1,947 • Major competitors: 50
Latest rank: 8 • Difficulty: 34.2
All tracked keywords
Includes opportunity, difficulty, rankings and competitor benchmarks
| Major Competitors | |||||||
|---|---|---|---|---|---|---|---|
| spectacular | 71 | 100 | 34 | 55 1,947 competing apps Median installs: 950 Avg rating: 4.0 | 8 | 8 | 50 major competitor apps |
| stages | 72 | 100 | 37 | 59 3,574 competing apps Median installs: 750 Avg rating: 4.2 | 72 | 72 | 55 major competitor apps |
| stage | 73 | 100 | 40 | 64 7,257 competing apps Median installs: 600 Avg rating: 4.1 | 121 | 106 | 97 major competitor apps |
App Description
cessful pantomimes.
Using three maquettes held by the Victoria & Albert Museum, the magic of augmented reality tech-
nology allows you to experience these sets at their true scale.
The pantomime Omai, or A Trip Around the World was written by John O’Keeffe, with its scenery
designed by Philip James de Loutherbourg, a Swiss artist who was the most innovative scenogra-
pher of his day. It premiered at Covent Garden Theatre (on the site of what is now the Royal Opera
House) in December 1785. Then, as now, pantomime was associated especially with Christmas.
As is suggested by the pantomime’s subtitle – A Trip Around the World – it sought to transport au-
diences to far-flung corners of the globe in a dizzyingly rapid-fire sequence of scenes. In the 18th
century, theatre offered audiences the pleasures of vicarious travel.
But this was also a period of empire, and the British stage was a powerful mechanism in creating
and sustaining the fantasy of British supremacy, racially and culturally.
The titular protagonist of Omai is based on a real person: Mai, a man from Ra'iatea in the South Pa-
cific. He was taken by Polynesia to London by Captain Cook in 1774. Once in Britain, Mai became
a celebrity and curiosity – an example of a ‘noble savage’.